| Act
1: Rap |
| Once upon
a time
There lived two dudes,
Anvil and Hammer,
They got this dumb assignment
And it really was a jammer.
They had to do this research
Which really brought them down
They'd rather do the Wild Thing
And cruise around the town.
They went up to the door
Of this strange old dude
He let them in his house
In their crummy mood.
He said I've been bakin'
Would you like the stuff I'm makin'?
He called his wife "let's get things shakin',
We're gonna do the Wild Thing."
The laboratory was ready
The plan was starting to sing
This is just the start
We're going to do the Wild Thing.
Little did they know
They'd been on a lengthy trip
They fell through a hole in time,
It was like the ground had ripped.
Overshot into the West,
Follow him who knows the best
As the present becomes the past
Follow close and have a blast!
Go with Anvil and Hammer
As they travel on time wing
When they bank a right
Into the night
And go and do the Wild Thing.
|
| |
|
| Act
2: Dream Cookies |
| |
|
| Sceen A: School
Time |
| |
|
CINDY: |
The Cliffs are so
romantic on a warm summers night. |
KELLY: |
Try rolling over
and falling off that really bites. |
CINDY: |
The King Edward
Hotel was a monument in this town. |
KELLY: |
Until someone got
smart and burnt the thing down. |
CINDY: |
What about sitting
on the riverbank watching the river flow. |
KELLY: |
I'd rather be at
home watching the radio. |
CINDY: |
You'd rather watch
the radio than the grass so green? |
KELLY: |
To me a piece of
metal is a prettier scene. |
CINDY: |
What about gazing
at the stars under the bright moonlight? |
KELLY: |
I have better
things to do with this body at night! |
CINDY: |
It seems to me
this town's your pet peeve. |
KELLY: |
With our
steamboat so slow it would take forever to leave! I want something new like music with a
beat and I don't mean a vegetable, the kind that you eat! I want something new something
with style those opportunities come once in awhile. I want huge buildings with shops
galore, not this place, this town is a bore! |
CINDY: |
But buildings
would get boring to you, too. Look outside, do you want to wreck this view? How can you
get bored of the river, the Cliffs, the sky so blue? After everything we have done, we
need something new?! |
| (Through the poem
Hammer and Anvil goof off) |
TEACHER: |
Very good girls.
You make being a teacher very worthwhile. (Girls sigh) Now Lionel and Vergil. |
HAMMER: |
Our names are
Hammer and Anvil. Yeah, you know, like ham and cheese. |
ANVIL: |
Yeah, like bread
and mold, get it straight, teach. |
TEACHER: |
That's enough
boys. Now as I was saying, your IBM assignment is due on Friday. If you don't make an A
you will fail the term, which means, looking back on your marks (pauses), you've failed
the year. (Teacher leaves and Hammer and Anvil walk up to Cindy and Kelly) |
HAMMER: |
That was like
bread on, like, uh, uh, well, yeah, that's it. |
CINDY: |
Hey, Anvil, is
that what you think? |
ANVIL: |
Awah, awah, awah. |
HAMMER: |
Ditto for him. |
KELLY: |
What's your
assignment on? |
HAMMER: |
Old Man Grumby,
the Kid Killer. |
CINDY: |
Yeah, right, you
are too chicken to go interview him. |
ANVIL: |
Chicken, I like
chicken, fish, too, and my favorite colour is yellow. Can we have some yellow chicken? |
KELLY: |
Wow, you guys are
really going to interview him? |
HAMMER: |
Yeah. |
CINDY: |
Bet you guys won't
do it. |
ANVIL: |
Do what? |
CINDY: |
The interview. |
ANVIL: |
Oh.......What
interview? |
HAMMER: |
Shut up Anvil.
(Talks to girls) What do you want to bet? How about a date, I mean if we go through with
the interview then we get to take you two rad chicks out...(Anvil cuts him off) |
ANVIL: |
Chicken, I like
chic... |
HAMMER: |
Shut up Anvil...
and if we don't go through with the interview then you guys get to take us out, our treat. |
ANVIL: |
Plus, you have to
help us write our assignment, you know, with words and stuff. |
KELLY: |
Wait here, me and
Cindy will discuss it. (Girls walk away and form a huddle) |
CINDY: |
Did you understand
a word they just said? |
KELLY: |
No, but I think
we're going out with them either way. |
CINDY: |
That's O.K. I
think Anvil's kinda cute. |
KELLY: |
(Turns around,
guys are gone) Hey where'd they go? |
CINDY: |
I don't know. |
KELLY: |
Guess they
couldn't take no for an answer. |
| |
|
| Scene B: Old
Man Grumby |
| |
|
| (Hammer and Anvil
stand at Old Man Grumby's front gate) |
ANVIL: |
You go first. |
HAMMER: |
No, you go first. |
ANVIL: |
No way, you go
first. |
HAMMER: |
(Whips out switch
blade) |
ANVIL: |
I'll go first.
(Opens gate, walks through) |
HAMMER: |
O.K., now you
knock. |
ANVIL: |
I opened the gate. |
HAMMER: |
Exactly, now just
keep going and knock on the door. (Hammer and Anvil both pull out switch blades) |
ANVIL: |
We'll both knock.
(They both turn and see the old man) Way cool. |
GRUMBY: |
You must be the
boys that wallpapered my windows, toilet papered my car that you stole, and cellophaned my
outhouse. |
ANVIL: |
Yep, that was us. |
GRUMBY: |
Come in. |
HAMMER: |
Cool joint. |
ANVIL: |
Yeah, way cool. |
GRUMBY: |
Have a seat. |
HAMMER: |
Yeah, we have to
interview you for school. |
GRUMBY: |
Do you want some
milk and cookies? |
ANVIL: |
Sure. |
HAMMER: |
Snag me some, too. |
GRUMBY: |
You will really
like these cookies. (Shows the box to the audience marked dream cookies, and winks) |
GRUMBY: |
What would you
like to know? |
ANVIL: |
What are in these
cookies? |
HAMMER: |
Yeah, they sure
are good. (They both drift off) |
GRUMBY: |
Mable, get the
la-bor-a-tory ready. I've got some new specimens for the experiment. |
MABLE: |
O.K., dear. |
| (Mable and Grumby
carry them off stage and replace dummies in the audience.) |
|
|
| Act
3: Old West |
|
|
| Scene A: Cancan |
|
|
| (Cancan girls come
out and start dancing around Anvil and Hammer, who are now on stage) (Girls leave) |
COWBOY 1: |
(Working on horse
in the background) |
COWBOY 2: |
(Walks on stage) |
HAMMER: |
Hey, Anvil. |
ANVIL: |
What? (Turns and
bumps Cowboy 1) Oh, sorry. |
HAMMER: |
Let's go. |
COWBOY 1: |
Hey! |
COWBOY 2: |
What? |
COWBOY 1: |
Never mind. |
HAMMER: |
Say you're sorry. |
ANVIL: |
I did but he
didn't acknowledge my existence. Uh, excuse me. (Bumps into Cowboy 1) He doesn't know I'm
here, watch. (Pulls Cowboy 1's hair) |
COWBOY 1: |
Hey! |
COWBOY 2: |
What? |
COWBOY 1: |
Forget it. |
ANVIL: |
Hey, this is fun,
they can't see us! |
HAMMER: |
Let's get out of
here. |
ANVIL: |
O.K. (Pulls his
hair one more time) |
COWBOY 1: |
Hey! |
COWBOY 2: |
What? |
COWBOY 1: |
I've had enough of
you. |
COWBOY 2: |
I've had just
about enough of you, too. |
COWBOY 1: |
Draw! |
| (They just about draw
and shoot each other, then Mr. Grumby runs on stage) |
GRUMBY: |
Wait, wrong time
period. (Stops with remote) |
|
|
| Act
4: River Boat Dance |
|
|
| Scene A:
Blacklight |
|
|
ANVIL: |
Wonder where we're
going now? |
HAMMER: |
I don't know, man.
But I hope there's more women! |
ANVIL: |
Man, I don't usually
like homework, but I can get used to this kind. |
HAMMER: |
Yeah, this kind of
homework I like. |
|
|
| Scene B:
Fandance |
|
|
| (Lights come on) |
HAMMER AND ANVIL: |
Yes, thank you! (Down on knees praying)
|
HAMMER: |
Man, I'm going to
church from now on. |
| (Dance ends) |
ANVIL: |
Where did the music
go? |
HAMMER: |
Where did the lights
go? |
| (Lights come on) |
HAMMER AND ANVIL: |
Where did the WOMEN go?!
|
ANVIL: |
Who cares? Let's
find 'em! |
|
|
| Scene C: Old
Molasses |
|
|
NARRATOR: |
Paddle wheelers
were the lifeline of our little settlement until the great iron horse - the railroad,
arrived. Navigating down our windy Shuswap River required the ships to be as narrow as
possible so they put the paddle wheel at the rear of the boat. Some were barely scows like
Enderby's old Red Star affectionately named Slow Molasses, which could carry 12 passengers
and had a one and a half horse power engine. Others like the S.S. Peerless could cruise at
18 knots, the same speed as most B.C. ferries today, and were the picture of beauty,
several decks high, elegantly paddling along the Shuswap. |
NARRATOR: |
That's the Reverend
John Knox Wright over there. The Slow Molasses, as they call her, is running a little late
today, which is not unusual. Often runs aground on sand bars. The occasional citizen gets
off the boat in frustration and walks to town faster than the Red Star. Oh well, that's
Slow Molasses. Today it's the Reverend who is impatiently awaiting its arrival from
Sicamous. |
REVEREND: |
(Looking at pocket
watch) Finally, I was ready to give up on it ever getting here. Hey, careful with that,
that's the Lord's pulpit you are lurching around. (Sound of splash) Oh no, I don't believe
it! |
BAILEY: |
(Running on stage)
Holy Moses! The preacher's talking box is overboard. Give us a hand here. |
| (Crew person runs
over, preacher rubs hands and worries) (Curses VERY gently) |
BOB BAILEY AND CREW: |
(Offstage) Here, hand me that pole, and wrap that rope right over
there...(etc) |
| (Enter Bob Bailey and
Crew carrying pulpit which is dripping) |
BAILEY: |
Hey there preacher,
here it is. We've baptized it, take the bleedin' thing away afore we drown it. |
| (All exit) (Captain
Cummings walks in looking searchingly) |
CUMMINGS: |
Well, we'll teach
him a lesson. I'm already behind, today we have to leave without the mail man, Royal Mail
or no Royal mail. (Calling to assistant) Pull up anchor, we're heading out. |
| (Enter mail man, Bob
Hall, obviously out of breath, dumps sack of mail on dock, puts hands on hips and angrily
throws hat on floor) |
BOB HALL: |
He wouldn't do it,
I always knew Cummings was related to a Prairie Oyster but this beats all! The mail has to
go through - what does he think he's doing? I'll fix that old goat if it kills me. Where's
a blamed horse, I'll show him how slow that scow of his is! I'll need someone to row me
the length of Mara Lake (thinking aloud)and a fresh horse team. Captain Duncan Cummings,
methinks you and your Old Molasses are about to lose face. |
| (Indicate that time
passes, exits) (Captain backing onto stage pulling a rope. Running in from otherside is
Hall who throws down mail and confronts Cummings) |
Bob Hall: |
Cummings. This beats
all! If you ever leave before I can bring the mail from the train I'll personally throw
you in the river when I get my hands on you! I beat your slow old scow today - and I'll
throw you in the river tomorrow if you're not waiting when I bring the Royal Mail through. |
| (Exits) (Narrator
and Captain walking together) |
CAPTAIN: |
Justice Irving, I
don't know how to swim. This man has threatened my life. He's an over bearing, loud bore,
and I don't want him to hold up my ship. |
NARRATOR: |
Nevertheless,
Captain Cummings, Bob Hall is Her Majesties' letter carrier. Overbearing or not he has an
important responsibility and I must expect in future that you wait for the Royal Mail. |
CAPTAIN: |
If I must Your
Honor. But I'll never speak another word to that cur as long as I live. |
| (Exits) |
NARRATOR: |
Peace and
harmony... that was our little town in 1889. Approaching the turn of the century we were,
and a slow turn it would have been except for a little anger, jealousy and excitement.
Captain Cummings never did have a word to say to Bob Hall according to the town folk. Now,
one of most interesting cases that I was called upon to try, happened in March, 1905. An
incident on Baird Street involving .41 caliber bullets which seem to have come from a .38
caliber revolver left folk somewhat confused until many, many years later when Mel
Johnston unearthed a rusted-out revolver, while excavating a barn floor, but I'm getting
ahead of my story. |
|
|
| Act
5: Attempted Murder |
|
|
| Scene A:
Courtroom |
|
|
"I'll be in hell for breakfast and I won't be alone!" |
"No!!" |
BANG! |
BANG! |
BANG! |
| |
|
| JUDGE: |
Miss Cole, please answer the
question. |
| MISS COLE: |
Sorry, what was the question? |
| PROSECUTOR: |
Where were you on the night in
question? |
MISS COLE: |
Mr. Melligan and I
were taking a romantic stroll when Tom Flood met us at the sidewalk. He repeated over and
over, "I'll be in hell for breakfast, and I won't be alone!" Mr. Melligan and
myself were shocked! Suddenly Tom grabbed me and told Mr. Melligan to keep walking and to
not look back. I called for help from Pollard, Tom's roomate, but he just stood there,
didn't budge. And before I knew what was happening there was a shot. |
| PROSECUTOR: |
Is that man in this courtroom? |
| MISS COLE: |
I'm not finished yet. And then there
was another shot. He was shooting at me, then I saw him turn and shoot at Mr. Baird. There
was blood on his wrist. Suddenly he fired at me, and my arm felt like it was on fire. I
thought I was dying! |
| PROSECUTOR: |
Is that man in this courtroom? |
| MISS COLE: |
I'm not finished yet. When I started
falling I saw Mr. Melligan run after Mr. Flood and try to stop him. There, I'm finished. |
| PROSECUTOR: |
Is that man in this courtroom? |
| MISS COLE: |
Yes, he is. He's right there.
(pointing) |
| PROSECUTOR: |
Did you ever think that just maybe
he was jealous because you were with some other guy? |
| MISS COLE: |
Well, I never thought of that. |
| PROSECUTOR: |
Thank you, Miss Cole. I now call
Officer Gardom to the stand. |
| (Officer Gardom
raises his right hand and swears in) |
BAILIFF: |
Do you swear to tell
the whole truth and nothing but the truth, so help you God? |
| GARDOM: |
I do. |
| PROSECUTOR: |
Where were you about 10:00 P.M. on
the night in question? |
| GARDOM: |
I was making my rounds when I heard
a shot that mistakenly thought came from the railroad, so I went browsing down there. I
walked about a mile and didn't see anybody, so I turned around and started back when
somebody came up behind me yelling, "he's got a gun!" So I ran the other way to
find Mr. Flood holding a gun, so I jumped on his back and fought him to the ground. I
subdued him. Another victory for Enderby. |
| PROSECUTOR: |
It was Mr. Flood with the revolver? |
| GARDOM: |
Oh yes, I know his pretty little
face, causing trouble in Enderby. |
| PROSECUTOR: |
No more questions. |
| DEFENSE: |
How long have you been in the police
force? |
| GARDOM: |
About 2 years - never has there been
any excitement like this before. |
| DEFENSE: |
Do you think you got carried away? |
GARDOM: |
No, I don't. He
should be put to death for causing trouble in poor, little Enderby. |
| DEFENCE: |
No more questions. |
| PROSECUTOR: |
I call Mr. Pollard to the stand
please. |
| BAILIFF: |
Will you raise your right hand and
repeat after me? |
| (Pollard raises his
right hand and does as he's suppose to) |
| BAILIFF: |
Do you swear to tell the whole truth
and nothing but the truth so help you God? |
| POLLARD: |
I do |
| BAILIFF: |
Be seated. |
| PROSECUTOR: |
What is your relationship with Mr.
Flood? |
| POLLARD: |
He's like a brother to me, I would
do anything for him. |
| PROSECUTOR: |
Would you put a vicious idea into
his head about Miss Cole liking Mr. Melligan more than him? |
POLLARD: |
I wouldn't do such a
thing, he thought of it on his own. I love Tom, like I said before, like a brother. |
| PROSECUTOR: |
I have no more questions your honor. |
| (The Prosecuting
Attorney returns to his seat, and the Defense Attorney rises and approaches the stand) |
| DEFENSE: |
Where did Mr. Flood get the
revolver, which was in your possession at the time of this incident? |
| POLLARD: |
I gave it to Tom last week to keep
it in the trunk of his car for me, I really don't like guns because of all the accidental
deaths which are gun related. |
| DEFENSE: |
Apparently the bullet in Mr. Baird's
wrist was a .38 caliber, that gun contains 5 shots! There were three shots fired at the
time of the incident, but the gun taken from Mr. Flood only had two bullets missing from
its chamber, how do you explain the other bullet? |
| POLLARD: |
Well maybe Tom used my gun also, I
don't know! I didn't know what Tom was intending to do! |
| DEFENSE: |
So you think that Mr. Flood had two
revolvers with him at the time of the attempted murder? |
| POLLARD: |
Yes, I do. |
| DEFENSE: |
Where is the .41 caliber? |
| POLLARD: |
I don't know. |
DEFENSE: |
Only one last
question. Were you and Mr. Flood drinking the night of the attempt? |
| POLLARD: |
Yes, we were. We had a couple
drinks, but not too serious for our age. |
| DEFENSE: |
Maybe not, for yourself. I would
like the reporters to write down that the .41 caliber is still missing and was never found
in his possession, therefore there has been no direct link established between the weapon
(specifically the .41 caliber revolver) and my client. I have no more questions your
honor. |
| (Pollard stands and
returns to his seat) |
| JUDGE: |
Do you have any more witnesses to
call to the stand? |
| DEFENSE: |
No more your honor |
| PROSECUTOR: |
No. |
| JUDGE: |
This court is adjourned til May 17th,
1905. |
| (The crowd stands as
the judge enters and sits down) |
| JUDGE: |
I now bring this court into session.
Prosecutor, call your first witness. |
| PROSECUTOR: |
I call Mr. Tom Flood. |
| (Tom Flood rises and
walks to the stand) |
BAILIFF: |
Raise your right
hand and repeat after me. Do you swear to tell the whole truth, nothing but the truth, so
help you God? |
| FLOOD: |
I do. |
| (Tom Flood sits down,
and the bailiff returns to his area) |
| PROSECUTOR: |
When you drink do you usually get
violent? |
| FLOOD: |
No, not if I start drinking and feel
good, but when I start drinking and am in a bad mood, I usually end off in a bad or a
worse mood. It's a bad habit, I know, but I can't help it. |
| PROSECUTOR: |
O.K. so you are not violent, but why
did you go after Miss Cole and Mr. Melligan with a gun? |
| FLOOD: |
I told you I finished angry! (Saying
angrily) |
| PROSECUTOR: |
No more questions your honor. |
| (The prosecutor
returns to his seat and the defender stands and walks up to the stand) |
| DEFENSE: |
Tom, where did you get the .38
caliber pistol from, and why? |
| FLOOD: |
I bought it last summer to go
hunting, I never planned on killing anyone! |
| DEFENSE: |
Nobody really ever does. What were
your feelings toward Miss Cole? |
FLOOD: |
I love her, I was
planning on proposing but now...! |
| (Tom lays his head
down in shame) |
| DEFENSE: |
No more questions your honor. |
| JUDGE: |
Jury, would you appreciate a few
minutes to discuss your verdict? |
| (The jury leave the
stage in silence, the defendant (Tom Flood) looks around with a sad look on his face. The
jury re-enter the room and return to their seats.) |
| JUDGE: |
Have you reached your verdict? |
| JURY MEMBER: |
Yes. We have found the accused, Tom
Flood, guilty as charged. Charged and we set his sentence at New Westminister
penitentiary, there he must serve seven years with no parole. |
| JUDGE: |
Do you feel any reason why this
sentence shouldn't be passed Mr. Flood? |
| FLOOD: |
I can say before God, that I didn't
intend to harm anyone. I find my sentence fair and I deserve such a punishment. I only did
my crime in a drunken rage. |
| (Curtains go down) |
|
|
| SceneB:
Newspaper |
|
|
| HAMMER: |
Man, I sure wish I knew where my
sunglasses were. |
| ANVIL: |
Hey man, look! |
| HAMMER: |
My shades! Yes.... Hey man, what's
that? Looks sort of like a newspaper. It is, it's an Enderby Commoner from 1900. |
ANVIL: |
Maybe that's when we
are. |
| HAMMER: |
Yeah, I guess so. Hey man, check
this out. It says here the first mayor of Enderby was Mayor George Bell. |
| ANVIL: |
So!?! |
| HAMMER: |
So...We can use that in our report. |
| ANVIL: |
Oh!?! |
| HAMMER: |
(Flips through paper) Hey, check
this out. Some chap named Bailey dragged a dead horse all the way from Belvedere Street to
Mill Street just 'cause he couldn't spell Belvedere. |
| ANVIL: |
Hey man, write that down. Hey,
there's no one in here I know. |
| HAMMER: |
Yeah, O.K. (Anvil flips through
paper. Hammer starts writing then pauses) Yo, man, how do you spell Belvedere? |
|
|
| Act
6: Multi-Media Slide Presentation |
|
|
Jacqueline
Baird, Bruce McCall
Verse l- Canadian R.R. Trilogy |
| |
|
| The Shuswap
Indians |
| |
|
Narrator #1 |
In our valley long
ago lived the Native Shuswap Band, all alone, they worked and they roamed across their
wild, free land. |
| Narrator #2 |
We will wait for you to show, and
when you do, prepare yourself for the worst, because we will rebel! We have kept our
mouths shut for too long and now it is time to speak up.
We don't want to change our history, can we not remain as we were before? If you look
in our faces you can see, that we are strong and will not take this anymore.
White men came to rule our rugged land, we sill wait for the warden and defiantly
stand, the warden is to come to refuse us out of rights, but we are proud and noble
natives, and will not give in without a fight! We've done this for years, it's doing
no wrong. We need to hunt, to keep us strong.
So we stand here, up in arms, protecting our fields and our farms, Even if it is
hopeless to try, We'd sooner do that than give up, and die.
All is changing, all is different, we really have no choice. The white man has taken
over, may they soon hear our voices.
Trees will grow tall, Some will fall as the world changes, But in our hearts the
traditions will stay. |
| |
|
| The Red Star |
| |
|
| Narrator #3 |
Then one day some white men came, a
settler, Fortune, was his name, set up a mill on the river bank, it was not successful,
and soon after it The river was the source of travel, for the people of the town. The
river barge "The old Molasses" brought the cargo down. |
| Narrator #1 |
The Red Star was a slow steam boat,
Up on the Shuswap River it would float. The boat moved slower than Molasses and was used
by the people of all classes. Old Molasses was the boat's nickname, That name did gain
it a little fame. It was a plain but proud little boat, It wasn't very fast, and it could
barely float. It worked very hard, all day and all night, To transport cargo, to the
town's delight.
It carried such stuff as passengers and mail. In the eyes of the town the Red
Star could not fail.
Soon roads were made and the town was moved, at least a block away, the river wasn't
used anymore, and the Old Molasses just rusted away.
It paddled up the river,
That old boat of ours,
Slow as Molasses,
It's name...The Red Star. |
| |
|
| The Train |
| |
|
| Narrator #4 |
The sleek, brown body glistened in
the heat of the summer,
But with a large hoot both man and horse looked up,
Around a bend in the unnaturally placed track,
Came a large, ugly, smoking beast.The whistle was loud,
The engine was hot,
The wheels turning
The pistons shot.
Big steel wheels, pounding on the track
Boldly pushing forward,
Never looking back.
A great pride was grown for the train of the town,
People gathered, Friendships were known. |
| |
|
| Industry |
| |
|
| Narrator #5 |
Because of the roads, the village
grew, as did the industries,
There was a lumber mill, a clothing store and lots of groceries.
A post office was set up in the general store,
Andy Baird started a brickyard with clay from the river shore.
With these bricks was built the first church, and city hall,
The church was a Roman Catholic and from a fire did slowly fall. |
| Narrator #3 |
Enderby so small a town
From Mabel Lake the river ran down
Supplying lumber for the mill
From trees that grew up on the hill
A saw pulled by two strong men
Eight hours a day and often ten
Heavy horses pulling the logs into place
While sweat and dust would stain their faces
In the valley on the cleared land
Crops were planted in soil and sand
Waving fields of yellow wheat
Growing with rain and summer heat
Harvesting lots of fruit in the fall
Job opportunities for one and all
People lived in different ways
In Enderby's long, past yesterdays. |
| |
|
| King Edward
Hotel |
| |
|
| Narrator #6 |
The King Edward Hotel,
A place to visit or make your home,
Filled with happy smiling people,
Welcoming you to their town,Mr. Murphy's hotel, stood tall while
the train whistled by.
Silent and proud the King Edward Hotel,
Succumbed to a fire and quickly fell,
As the people helplessly watched the building burn to the ground,
The flickering fire cast sorrowful shadows all around.
A castle once tall, was no more,
The sun went down,
It was clam,
The flames died.
Once so grand and tall,
It had overshadowed them all,
The King Edward Hotel was taken from our town,
But remained proudly standing in our memories. |
| |
|
| The Naming of
Enderby |
| |
|
| Narrator #5 |
Spallumcheen, Fortunes Landing,
Belvedere, and Lambly's Landing were some of our Enderby's names
But then one day the official name thought up by a couple of dames.It was named after a
town in a poem by Jean Ingelow,
About great bells that would ring in "Enderbie" to let know of the rivers high
flow.
To this day our Enderby grows, people
of the world wish you could see,
our peaceful, unpolluted, friendly town of Enderby, B.C. |
|
|
| Act
7: Vaudeville Show |
|
|
| NORMAN: |
Welcome, Welcome... |
| NORMBERT: |
Welcome, Welcome ladies and
gentlemen. Welcome to our show. I would ask all women under 40 to please remove your hats,
and men to spit where you're suppose to. Now, we hope you enjoy our show that has just
recently toured Lumby, Spuzzum, and Kingfisher. |
| REVEREND: |
Excuse me, you play on you football
team, right? |
| FOOTBALL PLAYER: |
Yup, I'm the fullback. |
| REVEREND: |
Well, I would like to have a prayer
of victory for tonight. Before it will work I have to know if you have ever used the
Lord's name in vain. |
| PLAYER: |
Only once. |
| REVEREND: |
Tell me, son, tell me and you will
be forgiven. |
| PLAYER: |
Well, Father, it was during our game
last week. The quarterback handed me the ball, I cut off the tackle, bounced off their
linebacker, and sidestepped two other guys. I ran to the sideline, dodged a guy, cut back
to the opposite side of the field and outran the rest of their team. As I crossed the goal
line, I looked down and said, "Holy Father, where's the ball?!" |
| |
|
| Dance A: Me
and My Shadow |
| |
|
SOLDIER1: |
Did you hear about
the Allied campaign? |
| SOLDIER2: |
No. |
| SOLDIER1: |
It's going to provide the Allied
tanks with back-up lights. |
| SOLDIER1: |
Yesterday we spotted a lone Canadian
sniper on a sand dune. |
| SOLDIER2: |
So? |
| SOLDIER1: |
So.. the comander dispatched 3 men
to get him, but they never returned, so he sent out a dozen. Some of them came back.
Finally he sent a whole company. |
| SOLDIER2: |
What happened? |
| SOLDIER1: |
Two hours later, one
blood-splattered Canadian soldier crawled back. "It was an ambush," he muttered,
"there were two of them." |
| |
|
| Dance B: A
Good Man is Hard to Find |
| |
|
| PERSON1: |
At my funeral, I want you to pour a
bottle of good whiskey over my grave. |
| PERSON2: |
I'll be glad to, but would you mind
if it passes through my kidneys first? |
| PERSON1: |
Hey, I hear Frank paid you off to
hold out to a manslaughter charge in his trial. |
| PERSON2: |
Yeah. I had a real hard time though.
The other eleven jurors wanted to dismiss all charges. |
| |
|
| Dance C: Tea
for Two |
| |
|
| PERSON1: |
I just got a beautiful French poodle
for my wife. |
| PERSON2: |
Wow, tell me, how did you make such
a good trade? |
| |
|
| Dance D: Arms |
| |
|
| Dance E:
Mermaid |
| |
|
| PERSON1: |
Did you hear that Frank had his
first airplane ride last week? |
| PERSON2: |
No. |
| PERSON1: |
Well, the stewardess handed him a
piece of chewing gum, she told him it was to keep his ears from popping at high
altitudes... |
| PERSON2: |
So? |
| PERSON1: |
Well, when the plane landed Frank
rushed up to her and said, "I have to meet my wife in an hour, how do I get the gum
out of my ears?" |
| |
|
| Dance F: Jug
Band |
|
"Rah,
Rah Rumbleseats" |
| |
|
1.
Rah, Rah Rumbleseats and runnin' boards, them were the good ole days
Defense stamps and girls galore, them were the good ole
Good ole days, model-A's, radio-do do E O DO!!
2. Oh, Rudy Valley and The Boger kids, them were the
Everybody eatin' up everything that is, them were the
Good ole days, Charlston foxtrot to the nickleode on. Them were the
Rah Rah
(Kazoo break)
3. Days were fat with the cats meow and she had herself a regular ole
Rooty toot toot, Raz-ma-taz, Sit down yer rockin the boat
Good ole days, model-A's-radio-do
Rah
(Kazoo break)
4. Rah, Rah Rumbleseats and runnin' boards, them were the good ole days
Defense stamps and girls galore, them were the good ole
Good ole days, model-A's, radio-do do E O DO!!
Rah, Rah. |
| |
|
| NORMBERT: |
Thank you, thank... |
| NORMAN: |
Thank you, thank you. |
| NORMBERT: |
Well, we hope you enjoyed our little
Vaudeville Show, and we hope you also enjoy the rest of the evening. |
|
|
| Act
8: Tea Party |
|
|
| Scene A:
Introduction |
| |
|
| (Anvil and Hammer
walk on stage over to the tree. Anvil following Hammer) |
HAMMER: |
We only have one
hour left, or that old geezer will never let us go back to 1990! |
| ANVIL: |
Well, look, this whole thing did
turn out kinda cool. We've found tons of information for our research assignment. I'm
tellin' ya, for all we've done, we're guaranteed an "A". |
HAMMER: |
Yeah, man. Look! (Pointing to sign
on tree)
Fortune's Landing, didn't that used to be Enderby's name? |
| ANVIL: |
I guess so, you're pretty smart,
dude!! But wait, here's another town named Lambly's Landing, and they're both pointing in
the same direction! |
| HAMMER: |
And so is this name - Belvedere! |
| ANVIL: |
And Aholo?? Hey, wait just one
minute. They all say 45 minutes away! Let's see if you can hammer yourself out of this
puzzle, Hammer! |
| HAMMER: |
Well, there must be some kind of
explanation. Come on, let's check this out. |
| (He exits in the
direction the signs point. As Hammer leaves Anvil is still looking at the signs) |
| ANVIL: |
(Confused) Hey wait up! (And runs
after Hammer) |
|
|
| Scene B: Tea
Party |
| |
|
| CHARACTERS: Mrs.
Oliver, Mrs. Harvey, Mrs. Lawes, Mrs. Lambly, Mrs. Hopkins. |
| SETTING: A high class
member house. Four ladies seated around a "tea" table talking about current
events. This is done rather quietly, and then they stop talking when they hear a
knock at the door, KNOCK! |
| LAWES: |
That must be poor Mrs. Harvey. She
shouldn't be out in this horrible weather, she'll fall dreadfully sick. (Opens door, Mrs.
Harvey enters) Is the rain holding up any, Mrs. Harvey? (Mrs. Harvey shakes her dripping
wet rain jacket and hangs it up while drastically shaking her head, she seems to be
panicking, and a real worrywart) |
| HARVEY: |
That no good rain will wash away our
whole neighborhood. If it doesn't quit soon, Mr. Harvey's store, or even Mr. Lambly's
newly built grist mill will be flooded and ruined!! (She takes a chair and makes herself
comfortable) |
| LAWES: |
Oh, now, calm down, we must not get
all upset! (She stands up) I'm so glad that despite the weather, everyone can make
it again. I'm sure we will hear some fine poetry and things this afternoon. Please
continue chatting. The tea should only be a few more minutes longer. |
| HOPKINS: |
You are all aware that Mary's
daughter, Sara, is being quite a bother. You see, she won't settle down and marry that
fine Petersen boy. |
LAMBLY: |
Didn't you know that
young Sara was planning to travel for a year? |
| HOPKINS: |
Oh, can you imagine? It's such a
shame that a young, pretty girl wants to travel alone, not to mention that Sara's Aunt
Beth would simply die without her favorite niece around. |
OLIVER: |
Say, did you ladies
hear about Mr. Witcher losing his arm? (A lot of groans and hums and hos and nos) Mrs.
Lambly, wasn't it your husband that nearly saved his life? |
| LAMBLY: |
(Modest) Well, yes, in fact, uh.... |
ALL THE LADIES: |
Tell us! Please, oh please!! |
| LAMBLY: |
Well, Mr. Witcher's arm got caught
in the gearing of the threshing machine. His arm was terribly damaged. I don't know how he
could withstand the pain! (She looks around, and the ladies agree) Immediately after the
accident happened, my husband was sent for. You see, he has had some knowledge of medicine
while travelling with his cousin, who is a practicing surgeon. He was able to do the best
job he could. Herman Witcher is doing very fine so far. He's healing well, and it is
remarkable being as Mr. Lambly had no tools except for a pocket knife and a meat saw! |
| (By this time the
ladies were half way through their tea, and Mrs. Harvey starts choking after the pocket
knife and meat saw bit! Ladies all pat her back, etc) |
| LAWES: |
Well, enough of the gossip. It seems
to be getting the better of us today! Mrs. Oliver, I believe I have you marked down for
today's reading? |
| (All the ladies groan
in disgust) |
| LAMBLY: |
Well, yes, I suppose we should find
a new, official name which everyone can use, including the post office. (Hammer and Anvil
appear on balcony outside, Ad lib) But, there are thousands of names. How can we pick? |
| (Right about then,
the rain seems to pour down harder, Mrs. Harvey peeks out the window) |
| HARVEY: |
Well, if this rain keeps up, we
won't have a town left to name anyway. Oh, look! There are some of our husbands building
up the bank alongside the river. By the looks of it, they're doing a good job! |
| OLIVER: |
You know...Well, I was just
thinking...Well, no. It's not really that important or interesting. |
| LAWES: |
What is it Mrs. Oliver? What did you
have to say? |
| OLIVER: |
Well, in the poem I read, wasn't the
description of the town very similar to ours? |
| LAWES: |
Yes, exactly. If I remember
correctly, there was a flood going on in your poem! |
| OLIVER: |
Yes. That's right. |
LAWES: |
What was the name of
that poem again, Mrs. Oliver? |
| OLIVER: |
"High Tide on the Coast of
Lincolnshire". |
HOPKINS:
|
(Jumping up) That's
it! That's it! Let's present Mr. Henret with the name "Lincolnshire". It's
perfect! |
| HARVEY: |
Well, actually, I was thinking more
along the lines of "Enderby". Yes. "Enderby" sounds very unique.
(appropriate) |
LAWES: |
My, that does sound rather
catchy....Enderby..h-m- m-m...Enderby. |
| (All the ladies say
"Enderby" at different times to themselves and look proud.) |
|
|
| SceneC: Parasol
Dance |
| |
|
| (The ladies get up
and do a parasol dance) |
|
|
| Act
9: Back to the Future |
|
|
Scene: Parasol
ends. Old Man Grumby freezes everything and puts
Hammer and Anvil
back in their bodies. He says, "Well, that was
old Enderby and
now there is no way that you can fail the year.
And best of all
you won't remember me or anyone else you met!" |
|
|
| Act
10: 40's and 50's Dance |
|
|
| Scene: Kelly
enters and says, "Well, ladies and gentlemen, we hope you enjoyed the show. We
would like to give a special thanks to Don Elliott, Joan Cowan, and Tom Witherly.
And now we would like to leave you with a tribute to the 40's and 50's." |
| (There is a jive
dance from the 40's and 50's) |
|
|
| Act
11: "Lean On Me" |
|
|
Words and Music by:
BILL WITHERSArranged by:
ALAN BILLINGSLEY
Sometimes in our lives we all have pain,
We all have sorrow. But if we are wise
we know that there's always tomorrow.
Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.
If there is a load you have to bear
that you can't carry, I'm right up the road.
I'll share your load if you just call me.
Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.
You just call on me, brother, when you need a hand.
We all need somebody to lean on.
I just might have a problem that you'd understand.
We all need somebody to lean on.
Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.
You just call on me brother, when you need a hand.
We all need somebody to lean on.
I just might have a problem that you'd understand.
We all need somebody to lean on.
Lean on me, when you're not strong,
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.
Call me, Call me, oh, baby just call me.
Call me I'm tellin' you, Call me.
NOTE: The musical The Town, the Times, the Tunes was written and
performed by A.L. Fortune Secondary students under the direction of Barb McCall in 1990,
following the two-year project in which students interviewed oldtimers and wrote essays
about Enderby & District for the IBM project Links Through Time, the
precurser to Snapshots from the Past.
|