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The Town, Times, & Tunes
Lighter Side of Enderby

Act 1: Rap
 

ttt-logocopy.jpg (15272 bytes)Once upon a time
There lived two dudes,
Anvil and Hammer,
They got this dumb assignment
And it really was a jammer.

They had to do this research
Which really brought them down
They'd rather do the Wild Thing
And cruise around the town.

They went up to the door
Of this strange old dude
He let them in his house
In their crummy mood.

He said I've been bakin'
Would you like the stuff I'm makin'?
He called his wife "let's get things shakin',
We're gonna do the Wild Thing."

The laboratory was ready
The plan was starting to sing
This is just the start
We're going to do the Wild Thing.

Little did they know
They'd been on a lengthy trip
They fell through a hole in time,
It was like the ground had ripped.

Overshot into the West,
Follow him who knows the best
As the present becomes the past
Follow close and have a blast!

Go with Anvil and Hammer
As they travel on time wing
When they bank a right
Into the night
And go and do the Wild Thing.

     
Act 2: Dream Cookies
     
Sceen A: School Time
     

CINDY:

The Cliffs are so romantic on a warm summers night.

KELLY:

Try rolling over and falling off that really bites.

CINDY:

The King Edward Hotel was a monument in this town.

KELLY:

Until someone got smart and burnt the thing down.

CINDY:

What about sitting on the riverbank watching the river flow.

KELLY:

I'd rather be at home watching the radio.

CINDY:

You'd rather watch the radio than the grass so green?

KELLY:

To me a piece of metal is a prettier scene.

CINDY:

What about gazing at the stars under the bright moonlight?

KELLY:

I have better things to do with this body at night!

CINDY:

It seems to me this town's your pet peeve.

KELLY:

With our steamboat so slow it would take forever to leave! I want something new like music with a beat and I don't mean a vegetable, the kind that you eat! I want something new something with style those opportunities come once in awhile. I want huge buildings with shops galore, not this place, this town is a bore!

CINDY:

But buildings would get boring to you, too. Look outside, do you want to wreck this view? How can you get bored of the river, the Cliffs, the sky so blue? After everything we have done, we need something new?!

(Through the poem Hammer and Anvil goof off)

TEACHER:

Very good girls. You make being a teacher very worthwhile. (Girls sigh) Now Lionel and Vergil.

HAMMER:

Our names are Hammer and Anvil. Yeah, you know, like ham and cheese.

ANVIL:

Yeah, like bread and mold, get it straight, teach.

TEACHER:

That's enough boys. Now as I was saying, your IBM assignment is due on Friday. If you don't make an A you will fail the term, which means, looking back on your marks (pauses), you've failed the year. (Teacher leaves and Hammer and Anvil walk up to Cindy and Kelly)

HAMMER:

That was like bread on, like, uh, uh, well, yeah, that's it.

CINDY:

Hey, Anvil, is that what you think?

ANVIL:

Awah, awah, awah.

HAMMER:

Ditto for him.

KELLY:

What's your assignment on?

HAMMER:

Old Man Grumby, the Kid Killer.

CINDY:

Yeah, right, you are too chicken to go interview him.

ANVIL:

Chicken, I like chicken, fish, too, and my favorite colour is yellow. Can we have some yellow chicken?

KELLY:

Wow, you guys are really going to interview him?

HAMMER:

Yeah.

CINDY:

Bet you guys won't do it.

ANVIL:

Do what?

CINDY:

The interview.

ANVIL:

Oh.......What interview?

HAMMER:

Shut up Anvil. (Talks to girls) What do you want to bet? How about a date, I mean if we go through with the interview then we get to take you two rad chicks out...(Anvil cuts him off)

ANVIL:

Chicken, I like chic...

HAMMER:

Shut up Anvil... and if we don't go through with the interview then you guys get to take us out, our treat.

ANVIL:

Plus, you have to help us write our assignment, you know, with words and stuff.

KELLY:

Wait here, me and Cindy will discuss it. (Girls walk away and form a huddle)

CINDY:

Did you understand a word they just said?

KELLY:

No, but I think we're going out with them either way.

CINDY:

That's O.K. I think Anvil's kinda cute.

KELLY:

(Turns around, guys are gone) Hey where'd they go?

CINDY:

I don't know.

KELLY:

Guess they couldn't take no for an answer.

     
Scene B: Old Man Grumby
     
(Hammer and Anvil stand at Old Man Grumby's front gate)

ANVIL:

You go first.

HAMMER:

No, you go first.

ANVIL:

No way, you go first.

HAMMER:

(Whips out switch blade)

ANVIL:

I'll go first. (Opens gate, walks through)

HAMMER:

O.K., now you knock.

ANVIL:

I opened the gate.

HAMMER:

Exactly, now just keep going and knock on the door. (Hammer and Anvil both pull out switch blades)

ANVIL:

We'll both knock. (They both turn and see the old man) Way cool.

GRUMBY:

You must be the boys that wallpapered my windows, toilet papered my car that you stole, and cellophaned my outhouse.

ANVIL:

Yep, that was us.

GRUMBY:

Come in.

HAMMER:

Cool joint.

ANVIL:

Yeah, way cool.

GRUMBY:

Have a seat.

HAMMER:

Yeah, we have to interview you for school.

GRUMBY:

Do you want some milk and cookies?

ANVIL:

Sure.

HAMMER:

Snag me some, too.

GRUMBY:

You will really like these cookies. (Shows the box to the audience marked dream cookies, and winks)

GRUMBY:

What would you like to know?

ANVIL:

What are in these cookies?

HAMMER:

Yeah, they sure are good. (They both drift off)

GRUMBY:

Mable, get the la-bor-a-tory ready. I've got some new specimens for the experiment.

MABLE:

O.K., dear.

(Mable and Grumby carry them off stage and replace dummies in the audience.)

  

  

Act 3: Old West

  

  

Scene A: Cancan

  

  

(Cancan girls come out and start dancing around Anvil and Hammer, who are now on stage)

(Girls leave)

COWBOY 1:

(Working on horse in the background)

COWBOY 2:

(Walks on stage)

HAMMER:

Hey, Anvil.

ANVIL:

What? (Turns and bumps Cowboy 1) Oh, sorry.

HAMMER:

Let's go.

COWBOY 1:

Hey!

COWBOY 2:

What?

COWBOY 1:

Never mind.

HAMMER:

Say you're sorry.

ANVIL:

I did but he didn't acknowledge my existence. Uh, excuse me. (Bumps into Cowboy 1) He doesn't know I'm here, watch. (Pulls Cowboy 1's hair)

COWBOY 1:

Hey!

COWBOY 2:

What?

COWBOY 1:

Forget it.

ANVIL:

Hey, this is fun, they can't see us!

HAMMER:

Let's get out of here.

ANVIL:

O.K. (Pulls his hair one more time)

COWBOY 1:

Hey!

COWBOY 2:

What?

COWBOY 1:

I've had enough of you.

COWBOY 2:

I've had just about enough of you, too.

COWBOY 1:

Draw!

(They just about draw and shoot each other, then Mr. Grumby runs on stage)

GRUMBY:

Wait, wrong time period. (Stops with remote)

  

  

Act 4: River Boat Dance

  

  

Scene A: Blacklight

  

  

ANVIL:

Wonder where we're going now?

HAMMER:

I don't know, man. But I hope there's more women!

ANVIL:

Man, I don't usually like homework, but I can get used to this kind.

HAMMER:

Yeah, this kind of homework I like.

  

  

Scene B: Fandance

  

  

(Lights come on)

HAMMER AND ANVIL:


Yes, thank you! (Down on knees praying)

HAMMER:

Man, I'm going to church from now on.

(Dance ends)

ANVIL:

Where did the music go?

HAMMER:

Where did the lights go?

(Lights come on)

HAMMER AND ANVIL:


Where did the WOMEN go?!

ANVIL:

Who cares? Let's find 'em!

  

  

Scene C: Old Molasses

  

  

NARRATOR:

Paddle wheelers were the lifeline of our little settlement until the great iron horse - the railroad, arrived. Navigating down our windy Shuswap River required the ships to be as narrow as possible so they put the paddle wheel at the rear of the boat. Some were barely scows like Enderby's old Red Star affectionately named Slow Molasses, which could carry 12 passengers and had a one and a half horse power engine. Others like the S.S. Peerless could cruise at 18 knots, the same speed as most B.C. ferries today, and were the picture of beauty, several decks high, elegantly paddling along the Shuswap.

NARRATOR:

That's the Reverend John Knox Wright over there. The Slow Molasses, as they call her, is running a little late today, which is not unusual. Often runs aground on sand bars. The occasional citizen gets off the boat in frustration and walks to town faster than the Red Star. Oh well, that's Slow Molasses. Today it's the Reverend who is impatiently awaiting its arrival from Sicamous.

REVEREND:

(Looking at pocket watch) Finally, I was ready to give up on it ever getting here. Hey, careful with that, that's the Lord's pulpit you are lurching around. (Sound of splash) Oh no, I don't believe it!

BAILEY:

(Running on stage) Holy Moses! The preacher's talking box is overboard. Give us a hand here.

(Crew person runs over, preacher rubs hands and worries) (Curses VERY gently)

BOB BAILEY AND CREW:

 

(Offstage) Here, hand me that pole, and wrap that rope right over there...(etc)

(Enter Bob Bailey and Crew carrying pulpit which is dripping)

BAILEY:

Hey there preacher, here it is. We've baptized it, take the bleedin' thing away afore we drown it.

(All exit)

(Captain Cummings walks in looking searchingly)

CUMMINGS:

Well, we'll teach him a lesson. I'm already behind, today we have to leave without the mail man, Royal Mail or no Royal mail. (Calling to assistant) Pull up anchor, we're heading out.

(Enter mail man, Bob Hall, obviously out of breath, dumps sack of mail on dock, puts hands on hips and angrily throws hat on floor)

BOB HALL:

He wouldn't do it, I always knew Cummings was related to a Prairie Oyster but this beats all! The mail has to go through - what does he think he's doing? I'll fix that old goat if it kills me. Where's a blamed horse, I'll show him how slow that scow of his is! I'll need someone to row me the length of Mara Lake (thinking aloud)and a fresh horse team. Captain Duncan Cummings, methinks you and your Old Molasses are about to lose face.

(Indicate that time passes, exits)

(Captain backing onto stage pulling a rope. Running in from otherside is Hall who throws down mail and confronts Cummings)

Bob Hall:

Cummings. This beats all! If you ever leave before I can bring the mail from the train I'll personally throw you in the river when I get my hands on you! I beat your slow old scow today - and I'll throw you in the river tomorrow if you're not waiting when I bring the Royal Mail through.

(Exits)

(Narrator and Captain walking together)

CAPTAIN:

Justice Irving, I don't know how to swim. This man has threatened my life. He's an over bearing, loud bore, and I don't want him to hold up my ship.

NARRATOR:

Nevertheless, Captain Cummings, Bob Hall is Her Majesties' letter carrier. Overbearing or not he has an important responsibility and I must expect in future that you wait for the Royal Mail.

CAPTAIN:

If I must Your Honor. But I'll never speak another word to that cur as long as I live.

  (Exits)

NARRATOR:

Peace and harmony... that was our little town in 1889. Approaching the turn of the century we were, and a slow turn it would have been except for a little anger, jealousy and excitement. Captain Cummings never did have a word to say to Bob Hall according to the town folk. Now, one of most interesting cases that I was called upon to try, happened in March, 1905. An incident on Baird Street involving .41 caliber bullets which seem to have come from a .38 caliber revolver left folk somewhat confused until many, many years later when Mel Johnston unearthed a rusted-out revolver, while excavating a barn floor, but I'm getting ahead of my story.

  

  

Act 5: Attempted Murder

  

  

Scene A: Courtroom

  

  

          "I'll be in hell for breakfast and I won't be alone!"

          "No!!"

          BANG!

          BANG!

          BANG!

       
JUDGE: Miss Cole, please answer the question.
MISS COLE: Sorry, what was the question?
PROSECUTOR: Where were you on the night in question?

MISS COLE:

Mr. Melligan and I were taking a romantic stroll when Tom Flood met us at the sidewalk. He repeated over and over, "I'll be in hell for breakfast, and I won't be alone!" Mr. Melligan and myself were shocked! Suddenly Tom grabbed me and told Mr. Melligan to keep walking and to not look back. I called for help from Pollard, Tom's roomate, but he just stood there, didn't budge. And before I knew what was happening there was a shot.

PROSECUTOR: Is that man in this courtroom?
MISS COLE: I'm not finished yet. And then there was another shot. He was shooting at me, then I saw him turn and shoot at Mr. Baird. There was blood on his wrist. Suddenly he fired at me, and my arm felt like it was on fire. I thought I was dying!
PROSECUTOR: Is that man in this courtroom?
MISS COLE: I'm not finished yet. When I started falling I saw Mr. Melligan run after Mr. Flood and try to stop him. There, I'm finished.
PROSECUTOR: Is that man in this courtroom?
MISS COLE: Yes, he is. He's right there. (pointing)
PROSECUTOR: Did you ever think that just maybe he was jealous because you were with some other guy?
MISS COLE: Well, I never thought of that.
PROSECUTOR: Thank you, Miss Cole. I now call Officer Gardom to the stand.
(Officer Gardom raises his right hand and swears in)

BAILIFF:

Do you swear to tell the whole truth and nothing but the truth, so help you God?

GARDOM: I do.
PROSECUTOR: Where were you about 10:00 P.M. on the night in question?
GARDOM: I was making my rounds when I heard a shot that mistakenly thought came from the railroad, so I went browsing down there. I walked about a mile and didn't see anybody, so I turned around and started back when somebody came up behind me yelling, "he's got a gun!" So I ran the other way to find Mr. Flood holding a gun, so I jumped on his back and fought him to the ground. I subdued him. Another victory for Enderby.
PROSECUTOR: It was Mr. Flood with the revolver?
GARDOM: Oh yes, I know his pretty little face, causing trouble in Enderby.
PROSECUTOR: No more questions.
DEFENSE: How long have you been in the police force?
GARDOM: About 2 years - never has there been any excitement like this before.
DEFENSE: Do you think you got carried away?

GARDOM:  

No, I don't. He should be put to death for causing trouble in poor, little Enderby.

DEFENCE: No more questions.
PROSECUTOR: I call Mr. Pollard to the stand please.
BAILIFF: Will you raise your right hand and repeat after me?
(Pollard raises his right hand and does as he's suppose to)
BAILIFF: Do you swear to tell the whole truth and nothing but the truth so help you God?
POLLARD: I do
BAILIFF: Be seated.
PROSECUTOR: What is your relationship with Mr. Flood?
POLLARD: He's like a brother to me, I would do anything for him.
PROSECUTOR: Would you put a vicious idea into his head about Miss Cole liking Mr. Melligan more than him?

POLLARD:

I wouldn't do such a thing, he thought of it on his own. I love Tom, like I said before, like a brother.

PROSECUTOR: I have no more questions your honor.
(The Prosecuting Attorney returns to his seat, and the Defense Attorney rises and approaches the stand)
DEFENSE: Where did Mr. Flood get the revolver, which was in your possession at the time of this incident?
POLLARD: I gave it to Tom last week to keep it in the trunk of his car for me, I really don't like guns because of all the accidental deaths which are gun related.
DEFENSE: Apparently the bullet in Mr. Baird's wrist was a .38 caliber, that gun contains 5 shots! There were three shots fired at the time of the incident, but the gun taken from Mr. Flood only had two bullets missing from its chamber, how do you explain the other bullet?
POLLARD: Well maybe Tom used my gun also, I don't know! I didn't know what Tom was intending to do!
DEFENSE: So you think that Mr. Flood had two revolvers with him at the time of the attempted murder?
POLLARD: Yes, I do.
DEFENSE: Where is the .41 caliber?
POLLARD: I don't know.

DEFENSE:  

Only one last question. Were you and Mr. Flood drinking the night of the attempt?

POLLARD: Yes, we were. We had a couple drinks, but not too serious for our age.
DEFENSE: Maybe not, for yourself. I would like the reporters to write down that the .41 caliber is still missing and was never found in his possession, therefore there has been no direct link established between the weapon (specifically the .41 caliber revolver) and my client. I have no more questions your honor.
(Pollard stands and returns to his seat)
JUDGE: Do you have any more witnesses to call to the stand?
DEFENSE: No more your honor
PROSECUTOR: No.
JUDGE: This court is adjourned til May 17th, 1905.
(The crowd stands as the judge enters and sits down)
JUDGE: I now bring this court into session. Prosecutor, call your first witness.
PROSECUTOR: I call Mr. Tom Flood.
(Tom Flood rises and walks to the stand)

BAILIFF:

Raise your right hand and repeat after me. Do you swear to tell the whole truth, nothing but the truth, so help you God?

FLOOD: I do.
(Tom Flood sits down, and the bailiff returns to his area)
PROSECUTOR: When you drink do you usually get violent?
FLOOD: No, not if I start drinking and feel good, but when I start drinking and am in a bad mood, I usually end off in a bad or a worse mood. It's a bad habit, I know, but I can't help it.
PROSECUTOR: O.K. so you are not violent, but why did you go after Miss Cole and Mr. Melligan with a gun?
FLOOD: I told you I finished angry! (Saying angrily)
PROSECUTOR: No more questions your honor.
(The prosecutor returns to his seat and the defender stands and walks up to the stand)
DEFENSE: Tom, where did you get the .38 caliber pistol from, and why?
FLOOD: I bought it last summer to go hunting, I never planned on killing anyone!
DEFENSE: Nobody really ever does. What were your feelings toward Miss Cole?

FLOOD:  

I love her, I was planning on proposing but now...!

(Tom lays his head down in shame)
DEFENSE: No more questions your honor.
JUDGE: Jury, would you appreciate a few minutes to discuss your verdict?
(The jury leave the stage in silence, the defendant (Tom Flood) looks around with a sad look on his face. The jury re-enter the room and return to their seats.)
JUDGE: Have you reached your verdict?
JURY MEMBER: Yes. We have found the accused, Tom Flood, guilty as charged. Charged and we set his sentence at New Westminister penitentiary, there he must serve seven years with no parole.
JUDGE: Do you feel any reason why this sentence shouldn't be passed Mr. Flood?
FLOOD: I can say before God, that I didn't intend to harm anyone. I find my sentence fair and I deserve such a punishment. I only did my crime in a drunken rage.
(Curtains go down)

  

  

SceneB: Newspaper

  

  

HAMMER: Man, I sure wish I knew where my sunglasses were.
ANVIL: Hey man, look!
HAMMER: My shades! Yes.... Hey man, what's that? Looks sort of like a newspaper. It is, it's an Enderby Commoner from 1900.

ANVIL:  

Maybe that's when we are.

HAMMER: Yeah, I guess so. Hey man, check this out. It says here the first mayor of Enderby was Mayor George Bell.
ANVIL: So!?!
HAMMER: So...We can use that in our report.
ANVIL: Oh!?!
HAMMER: (Flips through paper) Hey, check this out. Some chap named Bailey dragged a dead horse all the way from Belvedere Street to Mill Street just 'cause he couldn't spell Belvedere.
ANVIL: Hey man, write that down. Hey, there's no one in here I know.
HAMMER: Yeah, O.K. (Anvil flips through paper. Hammer starts writing then pauses) Yo, man, how do you spell Belvedere?

  

  

Act 6: Multi-Media Slide Presentation

  

  

Jacqueline Baird, Bruce McCall
          Verse l- Canadian R.R. Trilogy

     
The Shuswap Indians
     

Narrator #1

In our valley long ago lived the Native Shuswap Band, all alone, they worked and they roamed across their wild, free land.

Narrator #2 We will wait for you to show, and when you do, prepare yourself for the worst, because we will rebel!

We have kept our mouths shut for too long and now it is time to speak up.

We don't want to change our history, can we not remain as we were before? If you look in our faces you can see, that we are strong and will not take this anymore.

White men came to rule our rugged land, we sill wait for the warden and defiantly stand, the warden is to come to refuse us out of rights, but we are proud and noble natives, and will not give in without a fight!  We've done this for years, it's doing no wrong.  We need to hunt, to keep us strong.

So we stand here, up in arms, protecting our fields and our farms, Even if it is hopeless to try, We'd sooner do that than give up, and die.

All is changing, all is different, we really have no choice. The white man has taken over, may they soon hear our voices.

Trees will grow tall, Some will fall as the world changes, But in our hearts the traditions will stay.

     
The Red Star
     
Narrator #3 Then one day some white men came, a settler, Fortune, was his name, set up a mill on the river bank, it was not successful, and soon after it

The river was the source of travel, for the people of the town. The river barge "The old Molasses" brought the cargo down.

Narrator #1 The Red Star was a slow steam boat, Up on the Shuswap River it would float. The boat moved slower than Molasses and was used by the people of all classes.

Old Molasses was the boat's nickname, That name did gain it a little fame. It was a plain but proud little boat, It wasn't very fast, and it could barely float. It worked very hard, all day and all night, To transport cargo, to the town's delight.

 

It carried such stuff as passengers and mail.  In the eyes of the town the Red Star could not fail.

Soon roads were made and the town was moved, at least a block away, the river wasn't used anymore, and the Old Molasses just rusted away.

It paddled up the river,
That old boat of ours,
Slow as Molasses,
It's name...The Red Star.

     
The Train
     
Narrator #4 The sleek, brown body glistened in the heat of the summer,
But with a large hoot both man and horse looked up,
Around a bend in the unnaturally placed track,
Came a large, ugly, smoking beast.

The whistle was loud,
The engine was hot,
The wheels turning
The pistons shot.

Big steel wheels, pounding on the track
Boldly pushing forward,
Never looking back.

A great pride was grown for the train of the town,
People gathered, Friendships were known.

     
Industry
     
Narrator #5 Because of the roads, the village grew, as did the industries,
There was a lumber mill, a clothing store and lots of groceries.

 

A post office was set up in the general store,
Andy Baird started a brickyard with clay from the river shore.

With these bricks was built the first church, and city hall,
The church was a Roman Catholic and from a fire did slowly fall.

Narrator #3 Enderby so small a town
From Mabel Lake the river ran down
Supplying lumber for the mill
From trees that grew up on the hill
A saw pulled by two strong men
Eight hours a day and often ten
Heavy horses pulling the logs into place
While sweat and dust would stain their faces

 

In the valley on the cleared land
Crops were planted in soil and sand
Waving fields of yellow wheat
Growing with rain and summer heat
Harvesting lots of fruit in the fall
Job opportunities for one and all
People lived in different ways
In Enderby's long, past yesterdays.

     
King Edward Hotel
     
Narrator #6 The King Edward Hotel,
A place to visit or make your home,
Filled with happy smiling people,
Welcoming you to their town,

Mr. Murphy's hotel, stood tall while
the train whistled by.

Silent and proud the King Edward Hotel,
Succumbed to a fire and quickly fell,
As the people helplessly watched the building burn to the ground,
The flickering fire cast sorrowful shadows all around.

A castle once tall, was no more,
The sun went down,
It was clam,
The flames died.

Once so grand and tall,
It had overshadowed them all,
The King Edward Hotel was taken from our town,
But remained proudly standing in our memories.

     
The Naming of Enderby
     
Narrator #5 Spallumcheen, Fortunes Landing, Belvedere, and Lambly's Landing were some of our Enderby's names
But then one day the official name thought up by a couple of dames.

It was named after a town in a poem by Jean Ingelow,
About great bells that would ring in "Enderbie" to let know of the rivers high flow.

To this day our Enderby grows, people
of the world wish you could see,
our peaceful, unpolluted, friendly town of Enderby, B.C.

  

  

Act 7: Vaudeville Show

  

  

NORMAN:   Welcome, Welcome...
NORMBERT: Welcome, Welcome ladies and gentlemen. Welcome to our show. I would ask all women under 40 to please remove your hats, and men to spit where you're suppose to. Now, we hope you enjoy our show that has just recently toured Lumby, Spuzzum, and Kingfisher.
REVEREND: Excuse me, you play on you football team, right?
FOOTBALL PLAYER:
Yup, I'm the fullback.
REVEREND: Well, I would like to have a prayer of victory for tonight. Before it will work I have to know if you have ever used the Lord's name in vain.
PLAYER: Only once.
REVEREND: Tell me, son, tell me and you will be forgiven.
PLAYER: Well, Father, it was during our game last week. The quarterback handed me the ball, I cut off the tackle, bounced off their linebacker, and sidestepped two other guys. I ran to the sideline, dodged a guy, cut back to the opposite side of the field and outran the rest of their team. As I crossed the goal line, I looked down and  said, "Holy Father, where's the ball?!"
     
Dance A: Me and My Shadow
     

SOLDIER1:

Did you hear about the Allied campaign?

SOLDIER2: No.
SOLDIER1: It's going to provide the Allied tanks with back-up lights.
SOLDIER1: Yesterday we spotted a lone Canadian sniper on a sand dune.
SOLDIER2: So?
SOLDIER1: So.. the comander dispatched 3 men to get him, but they never returned, so he sent out a dozen. Some of them came back. Finally he sent a whole company.
SOLDIER2: What happened?
SOLDIER1: Two hours later, one blood-splattered Canadian soldier crawled back. "It was an ambush," he muttered, "there were two of them."
     
Dance B: A Good Man is Hard to Find
     
PERSON1: At my funeral, I want you to pour a bottle of good whiskey over my grave.
PERSON2: I'll be glad to, but would you mind if it passes through my kidneys first?
PERSON1: Hey, I hear Frank paid you off to hold out to a manslaughter charge in his trial.
PERSON2: Yeah. I had a real hard time though. The other eleven jurors wanted to dismiss all charges.
     
Dance C: Tea for Two
     
PERSON1: I just got a beautiful French poodle for my wife.
PERSON2: Wow, tell me, how did you make such a good trade?
     
Dance D: Arms
     
Dance E: Mermaid
     
PERSON1: Did you hear that Frank had his first airplane ride last week?
PERSON2: No.
PERSON1: Well, the stewardess handed him a piece of chewing gum, she told him it was to keep his ears from popping at high altitudes...
PERSON2: So?
PERSON1: Well, when the plane landed Frank rushed up to her and said, "I have to meet my wife in an hour, how do I get the gum out of my ears?"
     
Dance F: Jug Band

"Rah, Rah Rumbleseats"

     

1. Rah, Rah Rumbleseats and runnin' boards, them were the good ole days
Defense stamps and girls galore, them were the good ole
Good ole days, model-A's, radio-do do E O DO!!

2. Oh, Rudy Valley and The Boger kids, them were the
Everybody eatin' up everything that is, them were the
Good ole days, Charlston foxtrot to the nickleode on. Them were the
Rah Rah

(Kazoo break)

3. Days were fat with the cats meow and she had herself a regular ole
Rooty toot toot, Raz-ma-taz, Sit down yer rockin the boat
Good ole days, model-A's-radio-do
Rah

(Kazoo break)

4. Rah, Rah Rumbleseats and runnin' boards, them were the good ole days
Defense stamps and girls galore, them were the good ole
Good ole days, model-A's, radio-do do E O DO!!
Rah, Rah. 

     
NORMBERT: Thank you, thank...  
NORMAN: Thank you, thank you.
NORMBERT: Well, we hope you enjoyed our little Vaudeville Show, and we hope you also enjoy the rest of the evening.

  

  

Act 8: Tea Party

  

  

Scene A: Introduction
     
(Anvil and Hammer walk on stage over to the tree. Anvil following Hammer)

HAMMER:

We only have one hour left, or that old geezer will never let us go back to 1990!

ANVIL: Well, look, this whole thing did turn out kinda cool. We've found tons of information for our research assignment. I'm tellin' ya, for all we've done, we're guaranteed an "A".

HAMMER:

Yeah, man. Look! (Pointing to sign on tree)
Fortune's Landing, didn't that used to be Enderby's name?
ANVIL: I guess so, you're pretty smart, dude!! But wait, here's another town named Lambly's Landing, and they're both pointing in the same direction!
HAMMER: And so is this name - Belvedere!
ANVIL: And Aholo?? Hey, wait just one minute. They all say 45 minutes away! Let's see if you can hammer yourself out of this puzzle, Hammer!
HAMMER: Well, there must be some kind of explanation. Come on, let's check this out.
(He exits in the direction the signs point. As Hammer leaves Anvil is still looking at the signs)
ANVIL: (Confused) Hey wait up! (And runs after Hammer)

  

  

Scene B: Tea Party
     
CHARACTERS: Mrs. Oliver, Mrs. Harvey, Mrs. Lawes, Mrs. Lambly, Mrs. Hopkins.
SETTING: A high class member house. Four ladies seated around a "tea" table talking about current events.  This is done rather quietly, and then they stop talking when they hear a knock at the door, KNOCK!
LAWES: That must be poor Mrs. Harvey. She shouldn't be out in this horrible weather, she'll fall dreadfully sick. (Opens door, Mrs. Harvey enters)

Is the rain holding up any, Mrs. Harvey? (Mrs. Harvey shakes her dripping wet rain jacket and hangs it up while drastically shaking her head, she seems to be panicking, and a real worrywart)

HARVEY: That no good rain will wash away our whole neighborhood. If it doesn't quit soon, Mr. Harvey's store, or even Mr. Lambly's newly built grist mill will be flooded and ruined!! (She takes a chair and makes herself comfortable)
LAWES: Oh, now, calm down, we must not get all upset!  (She stands up) I'm so glad that despite the weather, everyone can make it again. I'm sure we will hear some fine poetry and things this afternoon. Please continue chatting. The tea should only be a few more minutes longer.
HOPKINS: You are all aware that Mary's daughter, Sara, is being quite a bother. You see, she won't settle down and marry that fine Petersen boy.

LAMBLY:

Didn't you know that young Sara was planning to travel for a year?

HOPKINS: Oh, can you imagine? It's such a shame that a young, pretty girl wants to travel alone, not to mention that Sara's Aunt Beth would simply die without her favorite niece around.

  OLIVER:

Say, did you ladies hear about Mr. Witcher losing his arm? (A lot of groans and hums and hos and nos) Mrs. Lambly, wasn't it your husband that nearly saved his life?

LAMBLY: (Modest) Well, yes, in fact, uh....

ALL THE LADIES:


Tell us! Please, oh please!!
LAMBLY: Well, Mr. Witcher's arm got caught in the gearing of the threshing machine. His arm was terribly damaged. I don't know how he could withstand the pain! (She looks around, and the ladies agree)

Immediately after the accident happened, my husband was sent for. You see, he has had some knowledge of medicine while travelling with his cousin, who is a practicing surgeon. He was able to do the best job he could. Herman Witcher is doing very fine so far. He's healing well, and it is remarkable being as Mr. Lambly had no tools except for a pocket knife and a meat saw!

(By this time the ladies were half way through their tea, and Mrs. Harvey starts choking after the pocket knife and meat saw bit! Ladies all pat her back, etc)
LAWES: Well, enough of the gossip. It seems to be getting the better of us today! Mrs. Oliver, I believe I have you marked down for today's reading?
(All the ladies groan in disgust)
LAMBLY: Well, yes, I suppose we should find a new, official name which everyone can use, including the post office. (Hammer and Anvil appear on balcony outside, Ad lib) But, there are thousands of names. How can we pick?
(Right about then, the rain seems to pour down harder, Mrs. Harvey peeks out the window)
HARVEY: Well, if this rain keeps up, we won't have a town left to name anyway. Oh, look! There are some of our husbands building up the bank alongside the river. By the looks of it, they're doing a good job!
OLIVER: You know...Well, I was just thinking...Well, no. It's not really that important or interesting.
LAWES: What is it Mrs. Oliver? What did you have to say?
OLIVER: Well, in the poem I read, wasn't the description of the town very similar to ours?
LAWES: Yes, exactly. If I remember correctly, there was a flood going on in your poem!
OLIVER: Yes. That's right.

LAWES:

What was the name of that poem again, Mrs. Oliver?

OLIVER: "High Tide on the Coast of Lincolnshire".

HOPKINS:   

(Jumping up) That's it! That's it! Let's present Mr. Henret with the name "Lincolnshire". It's perfect!

HARVEY: Well, actually, I was thinking more along the lines of "Enderby". Yes. "Enderby" sounds very unique. (appropriate)

LAWES:

My, that does sound rather catchy....Enderby..h-m- m-m...Enderby.
(All the ladies say "Enderby" at different times to themselves and look proud.)

  

  

SceneC: Parasol Dance
     
(The ladies get up and do a parasol dance)

  

  

Act 9: Back to the Future

  

  

Scene:  Parasol ends.  Old Man Grumby freezes everything and puts 
             Hammer and Anvil back in their bodies.  He says, "Well, that was
             old Enderby and now there is no way that you can fail the year.
             And best of all you won't remember me or anyone else you met!"

  

  

Act 10: 40's and 50's Dance

  

  

Scene:  Kelly enters and says, "Well, ladies and gentlemen, we hope you enjoyed the show.  We would like to give a special thanks to Don Elliott, Joan Cowan, and Tom Witherly.   And now we would like to leave you with a tribute to the 40's and 50's."
(There is a jive dance from the 40's and 50's)

  

  

Act 11: "Lean On Me"

  

  

Words and Music by:
          BILL WITHERS

Arranged by:
          ALAN BILLINGSLEY

Sometimes in our lives we all have pain,
We all have sorrow. But if we are wise
we know that there's always tomorrow.

Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.

If there is a load you have to bear
that you can't carry, I'm right up the road.
I'll share your load if you just call me.
Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.

You just call on me, brother, when you need a hand.
We all need somebody to lean on.
I just might have a problem that you'd understand.
We all need somebody to lean on.
Lean on me when you're not strong
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.

You just call on me brother, when you need a hand.
We all need somebody to lean on.
I just might have a problem that you'd understand.
We all need somebody to lean on.
Lean on me, when you're not strong,
and I'll be your friend.
I'll help you carry on, for it won't be long
till I'm gonna need somebody to lean on.

Call me, Call me, oh, baby just call me.
Call me I'm tellin' you, Call me.

 

NOTE: The musical The Town, the Times, the Tunes was written and performed by A.L. Fortune Secondary students under the direction of Barb McCall in 1990, following the two-year project in which students interviewed oldtimers and wrote essays about Enderby & District for the IBM project Links Through Time, the precurser to Snapshots from the Past.